About Universal Records

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Quezon City, Philippines
Universal Records is the NUMBER ONE independent record label in the Philippines. Bringing you quality music for the past 30 years, we are home to artists like: Jose Mari Chan, Gary Valenciano, Ogie Alcasid, Regine Velasquez, Lani Misalucha, Jed Madela, Christian Bautista, Jay R, Billy Crawford, Kris Aquino, Edu Manzano, Marian Rivera, Mark Herras, Nina, Ronnie Liang, Gail Blanco, Sam Concepcion. Our band roster includes: Parokya Ni Edgar, Kamikazee, Sponge Cola, Imago, Silent Sanctuary, Kenyo, Paraluman. We are equally committed to bring you exciting international releases covering various genres like pop, jazz, new age, classical, alternative, indie pop, rock, electronica, dance, r&b, and hip-hop. Name it, we definitely have it!

July 31, 2009

Music Review: The Japanese Popstars - We Just Are - Blogcritics Music

by: Jordan Richardson

Devastating and gorgeous all at once, The Japanese PopstarsWe Just Are is one of the most enthralling records of t
he year. Much in the same way Bristol’s Fuck Buttons unloaded obliterating noise on one of the best albums of 2008, Street Horrrsing, The Japanese Popstars have similar ferocity in their approach to the ultimate purity of sound.

Based out of Derry, Northern Ireland, The Japanese Popstars are three vastly talented DJs. Gareth Donoghue, Declan McLaughlin, and Gary Curran amassed their skills into one collective after playing together and performing at a variety of music festivals to much critical acclaim.
Part of what makes We Just Are, the trio’s debut, work so superbly is the approach. Every song crackles with a cuff of electronic righteousness and the punctuation of drum-and-bass accents. Noises blast out from beneath the covers, forming thunderous segments of music with mesmerizing production.

“Face Melter” does exactly what the title suggests, providing a skin-liquefying cocktail of clanging clatter, rave beats, and rolling energy. The sound swells, staggeringly stops, and toys with standards of formation with a deformed upper level and serenity-testing synth sure to blow a few speakers.
The broad-shouldered “Sample Whore” rides a wave of scathing white noise into a collapse of orgasmic ecstasy, using malformed delight as a beat and carving out a vital bulge that builds until the unavoidable culmination when everything is washed away in a flourish of speckled sound...

Read the full review here:



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